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Linocut by Jackie Curtis based on ammonite fossils from Kilve beach. The colours are inspired by the rust and ochre colours found in the rocks on the beach.
Exact colour may vary as the block is inked with two colours. It may have been intended to show Tenochtitlan as the center of the world and therefore, as the center of authority.
He posits, for example, that 7 Monkey represents the significant day for the cult of a community within Tenochtitlan. His claim is further supported by the presence of Mexica ruler Moctezuma II 's name on the work.
These elements ground the Stone's iconography in history rather than myth and the legitimacy of the state in the cosmos.
The methods of Aztec rule were influenced by the story of their Mexica ancestry, who were migrants to the Mexican territory.
The lived history was marked by violence and the conquering of native groups, and their mythic history was used to legitimize their conquests and the establishment of the capital Tenochtitlan.
As the Aztecs grew in power, the state needed to find ways to maintain order and control over the conquered peoples, and they used religion and violence to accomplish the task.
The state religion included a vast canon of deities that were involved in the constant cycles of death and rebirth. When the gods made the sun and the earth, they sacrificed themselves in order for the cycles of the sun to continue, and therefore for life to continue.
Because the gods sacrificed themselves for humanity, humans had an understanding that they should sacrifice themselves to the gods in return.
The Sun Stone's discovery near the Templo Mayor in the capital connects it to sacred rituals such as the New Fire ceremony, which was conducted to ensure the earth's survival for another year cycle, and human heart sacrifice played an important role in preserving these cosmic cycles.
The state was then exploiting the sacredness of the practice to serve its own ideological intentions. The Sun Stone served as a visual reminder of the Empire's strength as a monumental object in the heart of the city and as a ritualistic object used in relation to the cosmic cycles and terrestrial power struggles.
The sun stone image is displayed on the obverse the Mexican 20 Peso gold coin, which has a gold content of 15 grams 0. Different parts of the sun stone are represented on the current Mexican coins, each denomination has a different section.
After the conquest of the Aztec Empire by the Spanish in and the subsequent colonization of the territory, the prominence of the Mesoamerican empire was placed under harsh scrutiny by the Spanish.
The rationale behind the bloodshed and sacrifice conducted by the Aztec was supported by religious and militant purposes, but the Spanish were horrified by what they saw, and the published accounts twisted the perception of the Aztecs into bloodthirsty, barbaric, and inferior people.
The Aztec capital of Tenochtitlan was covered by the construction of Mexico City, and the monument was lost for centuries until it was unearthed in Although the object was being publicly honored, placing it in the shadow of a Catholic institution for nearly a century sent a message to some people that the Spanish would continue to dominate over the remnants of Aztec culture.
Another debate sparked by the influence of the Western perspective over non-Western cultures surrounds the study and presentation of cultural objects as art objects.
By referring to it as a "sculpture"  and by displaying it vertically on the wall instead of placed horizontally how it was originally used,  the monument is defined within the Western perspective and therefore loses its cultural significance.
The current display and discussion surrounding the Sun Stone is part of a greater debate on how to decolonize non-Western material culture. There are several other known monuments and sculptures that bear similar inscriptions.
Most of them were found underneath the center of Mexico City, while others are of unknown origin. Many fall under a category known as temalacatl , large stones built for ritual combat and sacrifice.
Matos Moctezuma has proposed that the Aztec Sun Stone might also be one of these. The Stone of Tizoc 's upward-facing side contains a calendrical depiction similar to that of the subject of this page.
Many of the formal elements are the same, although the five glyphs at the corners and center are not present. The tips of the compass here extend to the edge of the sculpture.
The Stone of Motecuhzoma I is a massive object approximately 12 feet in diameter and 3 feet high with the 8 pointed compass iconography.
The center depicts the sun deity Tonatiuh with the tongue sticking out. The Philadelphia Museum of Art has another, viewable here. This one is much smaller, but still bears the calendar iconography and is listed in their catalog as "Calendar Stone".
The side surface is split into two bands, the lower of which represents Venus with knives for eyes; the upper band has two rows of citlallo star icons.
This object can be viewed here. It bears similar hieroglyphic inscriptions to the Aztec Sun Stone, with 4-Movement at the center surrounded by 4-Jaguar, 4-Wind, 4-Rain, and 4-Water, all of which represent one of the five suns, or "cosmic eras".
The year sign Reed in the lower middle places the creation of this sculpture in , the year of Motecuhzoma II's coronation, while 1-Crocodile, the day in the upper middle, may indicate the day of the ceremony.
The Throne of Montezuma uses the same cardinal point iconography  as part of a larger whole. Tecuciztecatl jumped in after him to become a second sun.
However, the gods realized that two suns would overwhelm the world, so they threw a rabbit at Tecuciztecal and he became the moon—that is why you can still see the rabbit in the moon today.
The two celestial bodies were set in motion by Ehecatl, the god of the wind, who fiercely and violently blew the sun into motion. The Fifth Sun called "4-Movement" is ruled by Tonatiuh , the sun god.
This fifth sun is characterized by the daysign Ollin, which means movement. According to Aztec beliefs, this indicated that this world would come to an end through earthquakes, and all the people will be eaten by sky monsters.
The Aztecs considered themselves the People of the Sun, and therefore their duty was to nourish the Sun god through blood offerings and sacrifices.
Failure to do this would cause the end of their world and the disappearance of the sun from the sky. At the end of each year cycle, the Aztec priests carried out the New Fire Ceremony, or "binding of the years.
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Booongo is a progressive game studio creating fantastic cross-platform HD video slots for free-to-play and online gambling market.He was considered an invisible god. The methods of Aztec rule were influenced by the story of their Mexica ancestry, who were migrants to the Mexican territory. Matos Moctezuma has proposed that the Aztec Sun Stone might also be one of these. The duration of the Amaya Nasdaq is expressed in years, although they must be observed through the prism of Aztec Achtelfinale Dfb Pokal.